Skip to main content

A Synopsis of the film 'Go West'

Although I know that this a foreign film, I disliked the fact of having to read subtitles.  When being forced to focus on subtitles, I tend to miss great deal of the film's details: facial expressions, body language, the meaning of tonal inflections. “Go West” is an extremely well done docudrama whose feel and atmosphere is like that of docudramas based upon WWII Germany.  The most important aspect of the film's construction is its lighting.  In “Go West” lighting isn't just a visual element, but a character.  The film's lighting acts as a POV (point of view) character. It gives its viewer a sense of narration. In conjunction with its textural landscape, the film's lighting transmits mood and intensity; it as if dialogue was meant to take second place in conveying mood and feeling in an attempt to stimulate not intellectual sympathy, but first hand visceral (gut) feelings within its audience. What is particularly interesting is the film's use of shadows when focused upon Milena/Kenan as woman not man. In fact, when full lighting is utilized to expose Milena/Kenan as a man, we are able to see Kenan’s feminine attributes (Milena) both facially and somatically. This occurs both within the bedroom scene and when he is crossing the border with his cello.


However; in using full lighting to illustrate Kenan’s masculinity, the lighting as narrator begins to blind and deceive us and Kenan due to its twisting of his sexual/gender identity both within material reality and his own psyche as his anima prevents him from shedding her vestiges in order to preserve his male ego from psycho emotional attacks against him even when confronted with its annihilation from both outside and internal forces. Including Ranka’s betrayal as she moves from ally to oppressor to satisfy her own sexual cravings. As Kenan is forced deeper into emotional and sexual intrigues to keep his secret and prevent his and Milan’s deaths, he begins to experience not only doubt concerning his relationship Milan, but his own sexual and national identity. It's during this time that Kenan’s anima Milena begins to emerge into his multiple realities: psychological, emotional, physical/sexual and geopolitical. 


Kenan’s dilemma is one where he has been forcibly removed from privileged male other to oppressed female other.  Rather he consciously desired it or not, Kenan’s transition from man to woman is not only brutality savage, but devastating to both oppressed and enlightened oppressor.  The reason why this film could prove devastating to enlightened oppressors is because, an enlightened oppressor possesses not only varying degrees of empathy, but an understanding of history and Poli-economics. Due to their awareness of these subjects, they may not be incapable of plausible deniability in terms of how their actions have affected those occupying the space of “otherness”. 

Comments

Popular posts from this blog

Notes on Adorning “Otherness”

Picture: By The Atlantic Disfactor art: By Jabram Allen According to David Shariatmadari off the  Guardian “We think we know what a gay person sounds like. But there   are caveats to the cliche — and ‘voice-shaming’ tells us a lot more about our culture than it does about the person speaking” According to Shariatmadari; “the research says probably not. There’s mountains of evidence to suggest we adapt our speech to more closely resemble that of people we identify with. The particular sounds a group of speakers makes use of are arbitrary. They acquire meaning and recognizability only through association. The fact that these changes are usually unconscious is well documented. But, linguistically speaking, sounding gay is really no different from sounding street, sounding posh or sounding like a bro”. In other words, groups develop, practice and telegraph those actions that set them apart from other groups so that they may be intentionally recognized by those that don’t be...

SFGMC Current Tour

The San Francisco Gay Men's Chorus (SFGMC) is the world's first openly gay chorus, one of the world's largest male choruses [1] and the group most often credited with creating the LGBT choral movement. [2] The chorus was founded by gay music pioneer Jon Reed Sims . Despite popular misconceptions, the group does not require that members identify as gay or bisexual. The eligibility requirements for SFGMC are to be at least 18 years of age, to self identify as a man, and to pass the audition process defined by the Artistic Director. Today, with a membership of over 300 voices , the SFGMC continues to present a wide range of music and perform for many different kinds of audiences. (From Wikipedia, the free encyclopedia) Currently the Chorus is attempting to raise money for its members to engage in its Southern Concert Tour , which is at this point in time incredibly important to maintaining the freedom not just of LGBTQ individuals and communities, but all our comm...

Quiet Revolution: Technologies that will change the World